Worldview Acts in the Elegiac Poetry of Al-Mutanabbī and Al-Maʿarrī | مجلة قضايا لغوية | Linguistic Issues Journal

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Sarah Ahmed Hussein Saad
This study aims to investigate the acts of worldview construction as manifested in the elegiac poetry of Al-Mutanabbī and Al-Maʿarrī, through the analysis of one elegy by each poet. The research adopts a pragmatic approach grounded in speech act theory. In the elegiac context, each poet articulates a distinct worldview through divergent performative configurations of the self, which guided the analytical trajectory of the study. Accordingly, the paper is structured into three sections: worldview acts in Al-Mutanabbī’s elegy; worldview acts in Al-Maʿarrī’s elegy; and a comparative analysis between the two poets. the findings reveal a fundamental divergence in their respective worldviews. Al-Mutanabbī tends toward self-consecration, positioning himself in opposition to societal perceptions and their disapproval. He constructs an idealized world centered in the self, directing movement from the world toward the self, thereby sacralizing the self as the embodiment of values and existence. In contrast, Al-Maʿarrī adopts an inverse orientation, moving from the self toward the world in order to represent existence, values, and ideals rather than individual selves. Consequently, each poet produces a distinct pragmatic effect on the addressee.
Keywords: Speech Acts; Worldview; Elegy; Pragmatic Strategies.
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